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Debased Shapes LP

debased

SKY NEEDLE – DEBASED SHAPES (Bruit Direct Disques, 2013)

September 2013, Edition of 500

Sarah Byrne – voice, percussion
Joel Stern – leghorn, electronics
Alex Cuffe – speaker box bass, voice
Ross Manning – plank, voice
Michael Donnelly – percussion, electronics
Daniel Jenatsch – strings and shouted

Recorded by Joel in Brisbane 2011/2012
Thanks to Glen Schenau
for Shaun South

bruit-direct.org

Second full-length album from this amazing Australian homemade instruments orchestra, now upgraded to a seven piece big band: Debased Shapes is a revelation, with the group moving on from the weirdo Sun Ra/Moondog hands-on DIY improvisations of their first album into a liminal zone of left field pop synthesis and ‘debased’ songcraft. Parts of this beautiful album almost sound like a Scratch Orchestra re-imagining of the early Rough Trade sound, stuff like the Raincoats or even The Swell Maps re-crafted for clunky hands-on sound sculptures, with female vocals somehow directing every squawk and dunt towards a vision of psychedelic pop that comes out of invention more than technique. There’s still a dazzling afro-primitive free jazz feel to the choruses of honking geese and thrifty percussion but they feel more like hallucinatory song forms here, true DIY imaginings of heavenly pop hits. A stunning amalgam of sound sculpture, improvised percussive freak out and super personal pop vision. Still no one like them, highly recommended! – VOLCANIC TONGUE

The moment Sky Needle’s second album Debased Shapes starts, it immediately becomes your new favourite album ever (FUCK The Garbage & The Flowers! No disrespect intended). Woozy and disorientating and groovesome (that’s some groove!) and friendly like that nicotine-reeking grandma plonked down next to you on the 385, array of plastic bags and all. Most of their instruments don’t have names, because most of their instruments didn’t exist until yesterday: percussion clatters like possums being stoned off a tin roof by eight-year-olds, strange little farting and squelching noises tap out crescendos like a battery farm of Spacemen 3 fans blowing up water balloons, a female vocal whispers and quacks and promises strange magic indeed … all this is to the GOOD, you understand. – MESS AND NOISE

The Wire (December 2013)

 

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