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Creepertown 7″



September 2011, Independent Press, Edition of 200

Side A: Howlway

Side AA:  Creepertown

Sarah Byrne (vox, junk)
Alex Cuffe (speaker box bass)
Ross Manning (strung panel)
Joel Stern (leg horns, drum machine)

cover designed and editioned by Belinda Sinclair



Volcanic Tongue
Amazing deluxe private press 7” from this unclassifiable Brisbane group who come over like Corwood plays the music of Moondog and The Godz. This amazing single pushes the sound even further into a strange ethno-forged zone where the complex overlapping rhythms of The Magic Band are a given a staggering Reich/Riley makeover, with horns, chugging guitars and brokedown junk instruments propelling the inspired, impressionistic vocals of Sarah Byrne into a weird free country brass hybrid that is somewhere between a stoned, cultic Spontaneous Music Ensemble and a buncha midgets playing the music of Albert Ayler. I’m struggling to put my finger exactly on what these guys actually do, suffice to say this is some of the most original, idiosyncratic and inspired music coming out of Australia today. And that’s saying something. Can’t wait for their forthcoming full-length on Negative Guest List. Deluxe screenprinted fold-out sleeves, edition of 200 copies. Yeah!

The Wire, February 2012

B.A in Negative Guest List
“If you needed any more evidence that Brisbane’s experimental scene is alive and sweating, here we have the excellent second vinyl release from yet another fantastic local group. ‘Creepertown’ follows a full length cassette (‘Neckliner’) from earlier in the year released by the sharpies over at Albert’s Basement, and is the group’s second release overall to feature the addition of gyrating female vocals. That’s the A-side at least- a tune that on a surface level presents the group as a blazed Young Marble Giants like unit, while a distressed, sinister vibe is diffused as if it were the pulp drip from the rim of a Cooper’s Pale Ale stubbie. The flip is an instrumental that makes use of the group’s arsenal of home-made “unstruments”; a collection of strange mechanisms that might have been invented in an early draft of ‘Naked Lunch’ (inter-textual references are of course, tricky), and are drawing from Eastern/Asian influences in the way that they carry things out. It is from this Interzone where Sky Needle excel, walking one of the more delicately & deliberately twisted paths of future-primitive noise/ rock conceived in Queensland state since the early reign of the Invisible Empire. These headhunters are sure something fierce!”

Tom at Siltblog
“And speakin’ve Moondog, the bunch what go by the name Sky Needle has a new one fresh off the press. Maybe it’s them homemade instruments they flump, but the basic ‘groove’ is not too far removed from Louis Hardin’s ambient scapes. They’s also glow in embers still smolderin from the last, great Ralph Records clambake. From this distance it’s hard to say exactly who they might resemble most in that stable, but I never claimed to be no Frank Johnston. And the stellar hand screened gatefold sleeves would make the slick designers at Pore No Graphics eyes buzz out in envy.”

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